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Blog: My Virtual Exhibit - My KUT collection

Blog Overview: Definitive Issue of King George VI   Tags:kenya, kgvi, kut, tanganyika, virtual exhibit

KENYA, UGANDA & TANGANYIKA – GEORGE VI

The definitive issue released in KUT during the reign of King George VI provides possibly one of the most interesting areas of philatelic study for that era. The designs were largely the same as those for George V but with additional values and a few new designs. The printers were Messrs Thomas De La Rue & Co and some of their difficulties in production will be appreciated when it is remembered that their activities during the first year of World War II drew upon themselves the particular attention of the enemy with unfortunate results to their buildings in Bunhill Row, London and the immediate neighbourhood. The air raid of 29th-30th December 1940 completely destroyed more than half their premises and, apart from machinery, dies and stocks, all “Works” records were destroyed. This helps explain certain differences and changes in perforation, colours of inks, etc in subsequent printings.

Item 1

1c black and red brown – Retouched tablet (3rd stamp, 1st row, disturbance below ‘c’ in left hand value tablet)

u92398_KUT1cret587.jpg

Found on Row9/6, Plate 2 – 4A to – 7B

Owing to progressive development of wear of the plate, the value tablet part of the design became worn causing flaws to appear and was crudely retouched (probably in the press). It exists on printings between 1942 and 1946.

This imprint block of 8 confirms the position on the sheet. All sheets were printed in two panes of 100 stamps each composed of 200 duty plates and 2 x 100 vignettes, then cut in half. The “A” and “B” in the plate numbers refer to the left and right panes respectively.

Item 2

10c black and green – Mountain retouch (2nd stamp, 1st row)

u92398_KUT10cbl374.jpg

Found on Row5/10, Plate 9 – 7B

The damage to plate – 7B first occurred during 1949. The damage consists of five unequal-sized marks below the dip at the left of the mountain peak. The plate was also used for the 1s and 3s values of which copies exist in these denominations. No trace of the original damaged condition on the 10c has come to light and it seems that plate – 7B was only used for the 10c black and green after retouching.
This block of 4 clearly shows the retouches on the mountain top.

Item 3

25c black and red

u92398_KUT25cpl168.jpg

u92398_KUT25cpl614.jpg

This denomination was issued on 1 April 1952 – after King George VI died in February of that year. This item is an example of a plate proof pair of the frame and value tablet printed in carmine red on grey green paper with black vignette strikes of the dhow design for this 25c denomination on the reverse as well as brown vignette strikes of the Lake Naivasha design used for the 10c brown and orange stamp of the same set. In addition, these strikes are on top of the frame of the Ceylon King George VI 50c issue. An altogether unusual item.

Item 4

50c deep purple and black – Short stay

u92398_KUT50csh327.jpg

Found on Row2/5, Plate blank

On the King George V 50c definitive, the rope at the top of the mast failed to join the mast itself. The same centre plate was used for the first printing of the King George VI 50c run after the short stay had been lengthened on 99 subjects on the plate. The exception was R2/5 where the correction was overlooked. A number of sheets were printed and placed on sale in May 1938. The Die was then corrected and a new plate was laid down. Stamps printed from this plate were placed on sale in September 1938 and the remainder of the first printing was withdrawn.
This item reflects the short stay on the second stamp in the second row.

Item 5

1s black and brown

u92398_KUT1simp837.jpg

This item is an example of a plate proof of the frame, head and value tablet printed in brown on security lined paper with no watermark. It is a working proof from Plate B.

Comments

Total Comments: 10   

 

myavatar From -> MyPhilately Help
Comment -> Oct-02-2009 23:08
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Comment:

Great exhibit Kipp! Smile

We have allocated you a website domain so you can pass it on to your friends

http://www.myphilately.com/exhibit/kipp



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myavatar From -> Dorinco
Comment -> Oct-03-2009 12:16
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Comment:

Interesting, Kipp! Smile
Great engraving, fine detail, amazing research on your part.



My Signature: Focus on wild mammals on (traditional or non-traditional) maximum cards. I prefer singleview instead of multiview cards, and one species of animal per postcard, unless they are interacting. See cool personalized stamps, mine and others' (could be yours), maximum cards, etc. at http://dorinco.webs.com and http://dorincard.blogspot.com

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myavatar Texas Billiard Tax Stamp From -> boogiechillin526
Comment -> Oct-03-2009 12:37
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Comment:

Very nice group, proofs are such wonderful things to obtain. If you could enlarge the areas with the retouches they would show even better.


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myavatar From -> Fisherman
Comment -> Oct-03-2009 20:39
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Comment:

I love these old stamps and thank you for sharing the interesting proofs.

Brian.


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myavatar From -> Oceansong
Comment -> Oct-04-2009 22:38
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Comment:

One of my Favorite topics is KGVI, I love the Omnibus Coronation issues.
Smiles,
Laurie



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myavatar From -> stamphunter
Comment -> Oct-06-2009 16:29
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Comment:

Indeed a nice display in progress. Difficult material to acquire it would seem. Kudos!


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myavatar From -> SallyO
Comment -> Oct-06-2009 22:56
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Comment:

I also collect KUT KGVI so very interested to see your items and interesting write-up.

Re item 3 (I also have a few similar examples) you describe these as 'plate proofs', I have always wondered whether using this term for them is correct or not. I cannot really find any definite definition of 'plate proof' but always understood it was to check the design and placing on the sheet so should these pieces be better called printers waste? Interested to hear any views on this.



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myavatar Texas Billiard Tax Stamp From -> boogiechillin526
Comment -> Oct-06-2009 23:32
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Comment:  

When a stamp design is engraved, first it is engraved on a small piece of soft steel called a die. After is is hardened, any proof taken from this die is called a "die proof", or "large die proof" because the single design is usually in the middle of a large card(3" x 5", 5" x 7", or sometimes even larger). After the die has been approved, a "transfer roll" is used to to transfer the design into plate form by making as many transfers as necessary to complete the plate. When the plate is finished, any proofs taken from it are "plate proofs". "Printer's waste" is any spare paper that has been used to align the plates and set up the mechanics of printing. In this exhibit, I would classify item 3 as printer's waste. Still a very nice item to have. Die proofs were created to show the design to the people who would make the final decision on the whether the design was ready to be officially issued. Usually there would be no more than 3 to 5 die proofs pulled, so they are almost always scarce and very desirable. Plate proofs were made to show the various officials what the new stamp would look like after it had been approved. Plate proofs are the full sheet, and usually there were a few sheets printed, so they are usually somewhat more common depending on the specific issue. Still wonderful items to have. Proofs were widely collected in the past, but they have fallen out of favor in the last few decades. I don't know why, they are usually very beautiful. Personally, I always love to see them in any exhibit. There is a lot more information about the creation and printing of proofs in the front of the Scott catalogs.


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myavatar From -> SallyO
Comment -> Oct-08-2009 03:29
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This is very helpful, thanks. Is printers waste technically (or actually!) illegal material do you think, I don't suppose it was supposed to be kept and/or sold?



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myavatar Texas Billiard Tax Stamp From -> boogiechillin526
Comment -> Oct-08-2009 04:03
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I think illegal is too strong a word to use. Printers waste was just that, waste paper. It was meant to be discarded after use. Technically, the person who originally removed it might have been guilty of stealing since it belonged to whichever government printing office was involved depending on the country in question. At this point however, printers waste has been sold both privately and at auction for decades without a problem and I really can't imagine anyone except philatelic dealers and collectors caring at all. Also a lot of older material has been sold out of various government(and private engraving company) archives to make room for more recent items. The big auction a couple of years ago of American Bank Note material comes to mind. That is why there are so many proofs and essays around. Also engravers were allowed to take copies of the items they worked on for their portfolios to show prospective employer's their work. A lot of this material has also found it's way into the philatelic market. It seems that printers waste has gained stature over the last few decades, when I was younger it was frowned upon as being of little value, but that appears to have changed to some degree. Proofs and essays are more important however, since they show the direct development of a given issue. From the 1930's to the 1980's there was a group of very serious collectors of proofs and essays, and a serious magazine called The Essay-Proof Journal. However as they passed on the field more or less collapsed, and it really has not recovered even now. This does not meat that they are all cheap, but a unique die proof might go for between $1500-$2500, where as a unique stamp is often six or seven figures.


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